Reason, Arguments and Stories (1974) with Debkamal GangulyOn 24th and 25th September 2022;14:30 to 18:30 IST;Online What might be the self-chosen destiny of a modernist artist in a post-colonial condition, who over the decades of his creative endeavours always remained as an anarchic, yet ‘subjunctive’ critic of the seemingly naturalized affair of the post-coloniality itself? TheContinue reading “Reading Ritwik Ghatak’s -Jukti, Takko aar Goppo”
with Debkamal GangulyOn 10th & 11th; 17th & 18th September 2022; 14:30 to 18:30 IST;Online Emergences of India’s journey as independent nation-state for three quarters of a century is an apt moment to look back to the early years of independence in South Asia, an era marked by optimism and scarred by the great humanContinue reading “Reading Ritwik Ghatak’s Partition Trilogy”
3rd & 4th September 2022; 14:30 to 18:30 IST_ ONLINE. What might be the relevance of studying a relatively unknown and unseen film made by Indian master Ritwik Ghatak, his first masterpiece Ajantrik (The Pathetic Fallacy, 1958), almost six and half decades later? Beyond historical curiosity, the study of this film may reveal that possiblyContinue reading “Reading Ritwik Ghatak’s Ajantrik (The Pathetic Fallacy) 1958.”
Interdisciplinary exploration of cinema and architecture.
Film Analysis and Appreciation
Tracing goddess myth in Cinema.
Writer’s craft of Literature to Cinema.
Make your own film inspired from Laing’s dialogue scenarios…
What is a cut in Cinema?
TRANSITION – TRANSFERENCE – TRANSFORMATION in FARHADI’S