13th and 14th June 2026 | 14.30 IST onwards | 04 hours per day (with one break of 20 min.) Participant profileThis course is designed for cinephiles, students of film, researchers of mythology and visual culture, and artists interested in the relation between cinematic form, civilizational memory, the itihaas as a creative remembrance and mythicContinue reading “After the Epic: Forest, Face, Time in Kanchana Sita”
Tag Archives: Deb kamal Ganguly
Memory and Ground of Life: Reading Andrei Tarkovsky with Mirror
Celebrating half a century of the life of the film, the course will examine Mirror not merely as a memoir on celluloid, but as the director’s rigorous artistic and creative effort to locate and restore his ground of life. By navigating the fluid boundaries between memories, dreams, reality, and history, participants will see how Tarkovsky uses cinematic contemplation to transform personal existence into a universal spiritual inquiry, especially in a time of heightened bureaucratic materialism of erstwhile USSR.
The course would delve into the creative evolution of the film, with the references of Tarkovsky’s own script and diary entries. This transition from raw memory to structured image and fluid sensations offers a rare window into the alchemy of Tarkovsky’s creative process, dissolving the boundaries between lived experience and cinematic form.
Ultimately, the course would underscore Tarkovsky’s belief that without memory, without yearning for the memory, without the conscious engagement with the traces of the lost time, human beings tend to lose their ground of ethical existence, making Mirror an essential human document for preservation of the possibility of ethical becoming of the self.
What is a SHOT?
With Deb Kamal Ganguly16th April, 2024 ; 14:30 to 18:30 IST_Online Duration: 4 hours COURSE OVERVIEW:What is a shot?Though the definition of ‘a shot’ may seem quite obvious to most to begin with, the session would contain ideas and examples of various figurative, communicative and aesthetic aspects to ponder over the concept of a shot,Continue reading “What is a SHOT?”
Film-Philosophy with ‘Once upon a time in Anatolia’
Appreciation, concept formation and film-philosophy.
RITWIK GHATAK : CINEMA OF RUPTURE AND EPIC IMAGINATION
Film Analysis and Appreciation
Structural Possibilities in Short Films
Analyzing short films by masters – understanding structural possibilities.
Female Subjectivity and the Cinema of Satyajit Ray
Celebrating the Birth Centenary of Satyajit Ray
