Documentary as Situated Inquiry: Research Methodology towards Audio-visual Art

14:30 hrs IST, 5th, 6th & 7th November, 2025 | Online This course explores the evolving relationship between documentary practice and the social sciences, proposing the filmic process itself as a mode of inquiry. The documentary practitioner enters the world like an ethnographer, observing, participating, interpreting, but with a medium that feels and thinks throughContinue reading “Documentary as Situated Inquiry: Research Methodology towards Audio-visual Art”

Composing Reality: Structures of Mediation in Documentary Editing

Cinema Praxis Series14:30 hrs IST, 8th & 9th November, 2025, 02 days OVERVIEW:This course approaches documentary editing as a way of composing the impressions of reality, towards emerging discourse and experience, through discovering within the images the rhythms and contradictions of the world itself. Every cut, pause, continuation, or rupture becomes a thought about: howContinue reading “Composing Reality: Structures of Mediation in Documentary Editing”

Temporality and the Sensation of Cinematic Time

Cinema Praxis Series23-24 August, 2025, 14.30 – 18.20 IST, online OVERVIEW:The relationship between cinema and time has always been a central enigma of the moving image.More than any other art form, cinema is bound to temporality, not simply recording events, butimpressing upon us the sensation of time itself. Time in cinema is never only aContinue reading “Temporality and the Sensation of Cinematic Time”

Spatial Poetics in Nonfiction Cinema

3rd August, 2025, 01 day, 04-05 hours OVERVIEW:This intensive online session would explore how cinematic practice can construct, encounter, and transform space, not merely as background, but as an active participant in the nonfictional experience. At the intersection of observation, conceptualisation, cinematographic choices, and the rhythmic textures of editing and sound, this course examines howContinue reading “Spatial Poetics in Nonfiction Cinema”

“There shall be a cinema studio, a cinema school…”— The Mother, 23 June 1965 On 26 June 2025, sixty years and three days later, we offer this report not as a declaration of arrival—but as a quiet marker of emergence. What was once envisioned is now in motion, shaped by love, learning, and the labourContinue reading

OPEN SPACE DOCUMENTARY ARTS PROGRAMME, 2025

Starting 12 July 2025 1-year immersive diploma programme by the Auroville Film Institute in collaboration with Himalayan Institute of Alternatives, Ladakh . It is a multi-site, dynamic, production oriented diploma, incorporating experiential learning modules in Auroville-Pondicherry and Ladakh. OVERVIEW:Open Space Documentary Arts Programme finds its relevance in the proliferating new media environment, where the formContinue reading “OPEN SPACE DOCUMENTARY ARTS PROGRAMME, 2025”

Hands On Filmmaking Workshop at Maha Kumbh in Prayagraj

with Kamal Swaroop | From 11th January to 13th February 2025 WORKSHOP OVERVIEW: Context: (What is Maha Kumbh) The Maha Kumbh Mela, is a religious congregation and the world’s largest peaceful gathering, attended by millions. At the heart of this epic festival lies a symbol steeped in cosmic significance — the “Kumbh” or sacred potContinue reading “Hands On Filmmaking Workshop at Maha Kumbh in Prayagraj”

LATENT CONCURRENCIES

A BETA PRESENTATION BY  THE BATCH OF 2024 OPEN SPACE DOCUMENTARY ARTS PROGRAMME15, 16, 17 NOV, 2024 11 AM ONWARDS LATENT CONCURRENCIES  is a participatory new media installation; having a database consisting of several stand-alone documentary artworks from various stages of development. It showcases two distinct geographic and socio-cultural environments – Auroville and Ladakh – invitingContinue reading “LATENT CONCURRENCIES”

Space, Time, Subjectivity in Cinema

(With special emphasis on Documentary) as a part of OSDA and Hands on Filmmaking programme, 24 15:00 – 18.30 hrs IST – 6th and 7th of July, 2024 OverviewWhat is cinema, if it is not accumulation of blocks of space-time manifestations, perceived by camera-eye, heard by the recorder-ear, and arranged by some degree of individuated/collectiveContinue reading “Space, Time, Subjectivity in Cinema”

What is CONTINUITY?

Exploring Continuity Principles in Cinema? 30th April 2024,  14:30 to 18:30 IST _Online OVERVIEW:This session would illustrate the historical stages of development of various aspects of Continuity Principles, mainly practiced with great success in classical Hollywood era. These principles got gradually adapted, modified, challenged in other cultures of filmmaking in the world. It would beContinue reading “What is CONTINUITY?”