Multiplicity and the Expanded Screen

Join us for a 4-day masterclass with Soudhamini, exploring how video installation expands filmmaking into a fluid, multi-vectoral field. Moving beyond the single frame, narrative becomes spatial, rhythmic and polyphonic. Drawing on Deleuzian multiplicity, the workshop opens new attentional modes, challenging habitual gazes and inviting more inclusive, liberated ways of seeing.

Truth in Fiction with T.J. Gnanavel

Organised under Open Space Documentary Arts Programme (OSDA) programme as a tribute to Dr. B.R. Ambedkar on his 70th Mahaparinirvan Diwas 6 December 2025 | Online | 6:30 PM onwards Facilitated by Raj & Logeshwaran Register via WhatsApp This talk is part of the ongoing AVFI series Truth in Fiction, which explores how filmmakers, writers,Continue reading “Truth in Fiction with T.J. Gnanavel”

Craft, Ritual and Cinema: Mani Kaul’s Mati Manas

Specially Curated Sessions of Film Analysis and Film Appreciation as a part of Open Space Documentary Arts Programme. 29th-30th November 2025_ONLINE14:30 to 18:30 IST with Deb Kamal Ganguly COURSE OVERVIEW :Hovering curiously between the spectrums of documentary and fiction in different intensities, Mati Manas (Mind of Clay, 1985, 92 min) by Mani Kaul is a uniqueContinue reading “Craft, Ritual and Cinema: Mani Kaul’s Mati Manas”

Documentary as Situated Inquiry: Research Methodology towards Audio-visual Art

14:30 hrs IST, 5th, 6th & 7th November, 2025 | Online This course explores the evolving relationship between documentary practice and the social sciences, proposing the filmic process itself as a mode of inquiry. The documentary practitioner enters the world like an ethnographer, observing, participating, interpreting, but with a medium that feels and thinks throughContinue reading “Documentary as Situated Inquiry: Research Methodology towards Audio-visual Art”

Composing Reality: Structures of Mediation in Documentary Editing

Cinema Praxis Series14:30 hrs IST, 8th & 9th November, 2025, 02 days OVERVIEW:This course approaches documentary editing as a way of composing the impressions of reality, towards emerging discourse and experience, through discovering within the images the rhythms and contradictions of the world itself. Every cut, pause, continuation, or rupture becomes a thought about: howContinue reading “Composing Reality: Structures of Mediation in Documentary Editing”

Spatial Poetics in Nonfiction Cinema

3rd August, 2025, 01 day, 04-05 hours OVERVIEW:This intensive online session would explore how cinematic practice can construct, encounter, and transform space, not merely as background, but as an active participant in the nonfictional experience. At the intersection of observation, conceptualisation, cinematographic choices, and the rhythmic textures of editing and sound, this course examines howContinue reading “Spatial Poetics in Nonfiction Cinema”

Hands On Filmmaking Workshop at Maha Kumbh in Prayagraj

with Kamal Swaroop | From 11th January to 13th February 2025 WORKSHOP OVERVIEW: Context: (What is Maha Kumbh) The Maha Kumbh Mela, is a religious congregation and the world’s largest peaceful gathering, attended by millions. At the heart of this epic festival lies a symbol steeped in cosmic significance — the “Kumbh” or sacred potContinue reading “Hands On Filmmaking Workshop at Maha Kumbh in Prayagraj”

Gesture & Posture

From 19 Nov to 23 Dec 2024 _ ONLINE, with Drupad Gaonkar Mondays and Tuesdays, 19:00 to 21:00 hrs IST COURSE OVERVIEW :The world and life in it get an aesthetic meaning from the rich play of gestures and postures.We “read” gestures, from the slightest movement of facial muscles to the most powerful movements of massesContinue reading “Gesture & Posture”

Film-Philosophy with ‘Diary of a Country Priest’ by Robert Bresson

Specially Curated Sessions of Film Analysis and Film Appreciation 9th-10th November 2024_ONLINE14:30 to 18:30 IST with Deb Kamal Ganguly COURSE OVERVIEW :In the history of cinema, it is a rarity that the creators like Robert Bresson arrived and illuminated the possibility of cinematic creation as unique artistic and philosophical achievement on behalf of the frailty ofContinue reading “Film-Philosophy with ‘Diary of a Country Priest’ by Robert Bresson”