Specially Curated Sessions of Film Analysis and Film Appreciation 9th-10th November 2024_ONLINE14:30 to 18:30 IST with Deb Kamal Ganguly COURSE OVERVIEW :In the history of cinema, it is a rarity that the creators like Robert Bresson arrived and illuminated the possibility of cinematic creation as unique artistic and philosophical achievement on behalf of the frailty ofContinue reading “Film-Philosophy with ‘Diary of a Country Priest’ by Robert Bresson”
Author Archives: AVFI
Space, Time, Subjectivity in Cinema
(With special emphasis on Documentary) as a part of OSDA and Hands on Filmmaking programme, 24 15:00 – 18.30 hrs IST – 6th and 7th of July, 2024 OverviewWhat is cinema, if it is not accumulation of blocks of space-time manifestations, perceived by camera-eye, heard by the recorder-ear, and arranged by some degree of individuated/collectiveContinue reading “Space, Time, Subjectivity in Cinema”
Melancholia in Godard’s Film Socialisme as Foucauldian Meta-subjective Dissent against Governmentality – by Debkamal ganguly
16:30 IST @ Auroville Film Institute, India Space, Bharat Nivas also, Online streaming via G-Meet. Overview:This presentation has been part of recently concluded international ‘Foucault Congress’, Kolkata Chapter, focussing on Michel Foucault’s concept of governmentality in the context of South Asia. In this presentation with reference to Jean-Luc Godard’s post-cinematic work ‘Film Socialisme’, some gesturesContinue reading “Melancholia in Godard’s Film Socialisme as Foucauldian Meta-subjective Dissent against Governmentality – by Debkamal ganguly”
Psychology and Cinema: Through a Glass Darkly
Film Analysis and Film Appreciation8th and 9th June, 2024 | ONLINE OVERVIEW:The cinema universe of the great Swedish director Ingmar Bergman attained unprecedented artistic and expressive brilliance with the film Through a Glass Darkly (1961), the first offering of the trilogy with the unusual modernist thematic of ‘God’s silence’.Exploring the psychological depths of the femaleContinue reading “Psychology and Cinema: Through a Glass Darkly”
Photo and Cine Tech Demo
TOUCH & TRYOn 9th May 2024, 14:00 to 20:00 IST Sony Product Specialist, Mr. Musthafa Basha will present and give demonstrations ofCineline Cameras: ILME-FX3, ILME-FX6, ILME-FX30……Alpha Cameras: 7RM5, 7SM3 &G Master LensesXLR adapters Day’s Schedule:14:00 to 16:00 – Orientation and Demonstrations16:30 to 18:30 – Outdoor Hands On Practicals & Trials19:00 to 20:00 – Q &Continue reading “Photo and Cine Tech Demo”
What is CONTINUITY?
Exploring Continuity Principles in Cinema? 30th April 2024, 14:30 to 18:30 IST _Online OVERVIEW:This session would illustrate the historical stages of development of various aspects of Continuity Principles, mainly practiced with great success in classical Hollywood era. These principles got gradually adapted, modified, challenged in other cultures of filmmaking in the world. It would beContinue reading “What is CONTINUITY?”
Hands On – Documentary Film Workshop in Ladakh
24th June to 17th August 2024 (55 Days) OVERVIEW:Context: Located across a trans-Himalayan high-altitude desert, Ladakh today, as the northern frontier of India, balances a popular imagination between a pristine monastic spirituality and international borders. Historically a crossroad between the Tibetan Himalayas and west Asia, Central and sub-continental Asia, Ladakh has been a witness toContinue reading “Hands On – Documentary Film Workshop in Ladakh”
What is a SHOT?
With Deb Kamal Ganguly16th April, 2024 ; 14:30 to 18:30 IST_Online Duration: 4 hours COURSE OVERVIEW:What is a shot?Though the definition of ‘a shot’ may seem quite obvious to most to begin with, the session would contain ideas and examples of various figurative, communicative and aesthetic aspects to ponder over the concept of a shot,Continue reading “What is a SHOT?”
Ecofiction as Epiphany
Introduction to the Cinematic Mise-en-scène A Masterclass with Dr. Soudhamini 10th to 13th May 2024 in Auroville OVERVIEW:Between climate denial and dystopia lies a fertile space for self-sensitization which this short course facilitates through the grammar of the cinematic mise-en-scène. If the Japanese haiku is about distilled observation and startling juxtapositions – akin structurally to theContinue reading “Ecofiction as Epiphany”
Sacred Rhythms & Film Philosophy: Deleuze’s Concepts of Movement Images
A 3-day in-situ workshop in Auroville by Dr. Christoph Klütsch(as a part Open Space Documentary Arts Programme)18th to 20th April 2024 OVERVIEW This 3-Day Workshop Exploring Gilles Deleuze’s Film Philosophy will be an immersive journey through the concepts of Gilles Deleuze’s film philosophy, with a connection to the Irumbai Temple and its cinematic parallels. We willContinue reading “Sacred Rhythms & Film Philosophy: Deleuze’s Concepts of Movement Images”
Auroville Film Institute 